This was published in the Arts & Letters supplement of the Dhaka Tribune, a new English daily in Bangladesh, on October 12, 2013. You can read the Arts & Letters Supplements here.
Minault
Step back fifty years.

Monday evening, 28 October, 1963. Hundreds take their seats at the Race Course in Dhaka, excitement buzzing through the crowd.

On the stage stands an upright bass and a drum set, along with a piano brought over from the Goethe Institute. There is a slight dampness in the air, and a piano tuner has been asked to stand by. After an introduction, more than a dozen musicians from the U.S., mostly black men, take to the stage. The horn section brings along their well-loved trumpets, saxophones, and trombones. The silence of the night is broken by the melody of Billy Strayhorn’s composition, “Take the A Train”, familiar to some because it is the theme of the Voice of America’s Jazz Hour. It will be followed by other tunes like the wistful “Mood Indigo” and the swinging “Things Ain’t What They Used to Be.” For an hour and a half, the Duke Ellington Orchestra, with some of the world’s finest jazz musicians – including Paul Gonsalves and Sam Woodyard – will make the Dhaka air reverberate with the soulful and sizzling sounds of jazz.

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